Fireplace Refacing Ideas Before And After

Fireplace Refacing Ideas Before And After

Fireplace Refacing Ideas Before And After

Fireplace Refacing Ideas Before And After -Fireplaces were a significant feature of Arts and Crafts design. In the era where the Movement drew its inspiration the fireside only agreed to be starting to be sited for the sidewalls of great halls within the houses of the very most rich. So the fashion adopted by Arts and Crafts was a nineteenth century day pastiche of what was actually constructed during the Wars with the Roses Fireplace Refacing Ideas Before And After. Designs were often in brick although stone could possibly be used where it was a local material.

The fireplaces were large, often rounded coupled with an inglenook feel. Bricks would vary in proportions, with courses laid vertically and also conventionally or perhaps inside a herringbone pattern. Later designs often included tiles as well as the sort of sinuous designs which can be related to Charles Rennie Macintosh and Art Nouveau Fireplace Refacing Ideas Before And After. Tiles probably have a pastoral scene or perhaps a complex flower motif as well as the Rockwood Pottery that produced early designs was closely related to Morris & Co, the company that William Morris ran from 1875. We still experience the Arts & Crafts legacy in mock Tudor houses, 20th century wall panelling and old brick fireplaces. Like the majority of styles with the last 2 hundred years the buzz declines and then reappear around 100 years later.

Charles Rennie Mackintosh is regarded as one with the greatest influences on architecture this century. His all too short career spanned the turn with the century and produced a number of innovative buildings and interiors around his birthplace of Glasgow. Some see Mackintosh as being a modernist, others because link between Art Nouveau and Art Deco. He was probably neither, drawing his inspiration the maximum amount of from classical shapes because new industrial art that has been starting to prevail all over Europe.

Mackintosh wasn't just an architect. His design brilliance extended to the interiors with the buildings he designed. Together with his wife Margaret, Mackintosh thought that the lining layout was as important because exterior form and designed individual items to compliment the total look with the building. Fireplaces were, in the opinion, the 'glowing focus with decorative and symbolic interest'. It was important for him that all design should meld in to the room and turn into personalised for your needs with the owner Fireplace Refacing Ideas Before And After. His most famous brief was Hill House in Dumbarton, that she designed for your publisher, Blackie. In this house each fireplace differs. The family area design has niches for ornaments, while the fireside within the library links areas with the room to make a whole. Each has been considered and tailored in order that is part with the room, not just a fitting.

Today's fireplaces within the Mackintosh style often reflect his graphic style rather than his design flair. Art Nouveau roses interpreted by Mackintosh are routine features and evoke turn with the century style. His designs for mantelpieces and finished fireplaces are extremely personal for 'off the shelf' production and can remain unique within the houses where we were holding installed.

Whilst the category of Charles Rennie Macintosh first one thinks of when early 1900s architecture is mentioned, it is probably Edwin Lutyens that has left the maximum impression on country houses and official buildings within the UK and beyond Fireplace Refacing Ideas Before And After. Macintosh, from his base in Glasgow rose like a shooting star round the turn with the 20th century and then disappear as quickly only for 10-15 numerous years of architectural design. Lutyens, often together with garden designer Gertrude Jykell, produced houses inside a wonderful late Victorian / Edwardian vernacular style that still impresses today.

An examination of many of Lutyens Country House designs highlights the benefit he, and even more importantly his clients, placed for the design of fireplaces. Many of his major, well-known designs - Castle Drogo, Great Dixter, Little Thakeham among others - feature over 10 fireplaces - many engineered to go with the ambience with the room.

Barton St. Mary near East Grinstead can be a here's an example. Designed inside a rendered, South of England style, Barton St. Mary resembles two cottages joined together. Internally, massive stone inglenooks, helpful oak beams and vaulted ceilings evoke a period much sooner than its actual turn-of-the-20th century construction. In the dining area a sizable fireplace with projecting shelf and converging firesides in herringbone brickwork features a beautiful simplicity that is almost ageless.

Fireplace Refacing Ideas Before And After

Built for local industrialist, Arthur Hemmingway, Heathcote near Ilkley is altogether a different proposition from Barton St. Mary. Finished in local stone, it is really an imposingly grand house with echoes of a stately home. Internally neo-classical design reigns with pillars and ornate coving. In the Dining Room we have seen a fairly easy bolection design which has a massive Adamesque fireplace design superimposed over it. This can be a strange combination, possibly specified by Mr. Hemingway himself. Bolection designs, making use of their unpretentious moulded shape were extremely popular, some within larger Adam-style designs, others forming the complete fireplace were common in other Lutyens houses - Great Maytham in Kent, Nashdom in Taplow, Berkshire and Temple Dinsley in Hertfordshire. Lutyens was often involved in modernisation of older houses where yet again the simplicity with the bolection design helped blend new with old. Even today, bolection fireplaces are very much admired.

Lutyens designs were undoubtedly extremely influential from the select moneyed class who employed him. However, it absolutely was Minsterstone together with a several other local manufacturers of stone, marble and brick designs who adapted his designs for your smaller fireplaces to cater for your emerging middle class. Many of the fireside manufacturers out of this era have disappeared leaving Minsterstone, featuring its 120-year history as being a lone survivor from your time in the event the gap between rich and poor was bigger than it is today.

The dawning with the 20th century also saw a number of different stylistic influences on the fireside inside a way that not one other century had experienced. The heavy, gothic style that so typified the middle with the Victorian era had been produced in vast numbers. But present and popular with the cognoscenti was the powerful Art Nouveau look, which in fact had taken the united states by storm, following Paris Exhibition of 1881.

The roots of Art Nouveau lay within the great European capitals of Vienna and Paris where the artistic elite rebelled up against the constraints with the previous generation. The movement took fully briefed the cast iron fireplaces, for such a long time the trade mark with the suburban growth and development of our large cities, and added sinuous ornamentation, which gave these utilitarian items a modern day look. Tiles on tile sliders began to appear inside a helpful designs inspired by rural images and also classic Art Nouveau references such because grapevine.

William Morris' Arts & Crafts movement continued to exert an influence well in to the 20th century. The inglenook was a popular revival feature of Arts and Crafts' fireplaces because it created seating round the fire - some of the only warm part with the house. In fact Morris' followers liked many features of medieval and Tudor fireplaces that they adapted and incorporated into their designs - some adding features like overmantels which could not have been part with the original.

The 1920s sought out a different approach that combined industry with art. After the First World war, revival was still the name with the game for your middle classes who wanted their suburban houses gentrified with mock Tudor beams and fireplaces. However, the rich as well as the artistic longed for designs that reflected the twin ethos of work and leisure.

Art Deco filled this void and was created on the 1925 Paris based exhibition titled 'L'Exposition Internationale des Arts Deco et Industriels Modernes'. At the time, the fashion was often called Paris 25. The concepts behind the Art Deco included:

The sacrifice of decorative detail to operate.

The rejection of history in favour of modern ideas

The adaptation and adoption of industry - its designs and methods. Art Deco design was quickly translated in a helpful designs, which used traditional fireplace materials, but inside a more spectacular, avant-garde way. Simple understated lines were set off by way of reflective chrome, lacquered wood or tiles to provide a modern day feeling, which shouted 'Modern!' without getting too ornate.

Like many with the other trends, Art Deco tended to be the preserve with the rich. The newly enriched suburban middle classes were more prone to have a fairly easy tiled fireplace, normally in green beige or buff. Designs could reflect the Art Deco influence with the Mexican stepped pyramid or may be asymmetric, influenced by the social realism movement. Many 1930s tiled fireplaces also featured a wooden surround or mantelshelf in English oak.

In the shires the fireplace surround was more prone to maintain a local material, - brick within the South of England, stone within the North and tiles around Stoke on Trent. Designs of these areas just weren't so influenced by decorative trends. Functional features including bread ovens and hooks for hanging cooking pots lingered on completely or partial use from the country cottage well in to the 1930s and 40s.

World War II witnessed an entire halt within the house building programme as resources were funnelled into replacing and repairing bombed houses and within the late 1940s the push to re-house families saw a move away from conventional fireplaces in favour with the 'easy to install' electric fire. However because UK became more prosperous during the 1950s local authorities and house builders begun to install tiled fireplaces again making a regular demand for your slabbed designs created by members with the National Fireplace Manufacturer's Association, which in fact had been formed in 1945Fireplace Refacing Ideas Before And After. These fireplaces were made into specification rather than including any design flair and, from the middle with the decade, even wooden mantel shelf had disappeared.

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