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Adding Glitter To Wall Paint

Adding Glitter To Wall Paint

Adding Glitter To Wall Paint -Interior painting requires as careful preparation of surfaces as also does exterior painting. The advent of odorless paints now makes it possible to paint at any time of the season. Formerly, most interior painting in the house was done in the fall or spring, if this was possible to depart the windows available to ventilate the bedroom. But open windows brought dust into the bedroom to mar the finished painted surface.

A good interior paint job is usually 50% preparation and 50% painting. Do not rush in preparing the surfaces with your eagerness to access the brush or roller. If you do not prepare the surfaces properly, you will be back with all the paint brush or roller in some monthsAdding Glitter To Wall Paint. In this you will find the right information around the use of a variety of paints on various interior wall, ceiling and floor materials.


New dry plaster in good shape, which is to be finished a paint besides water paint, should be given a coat of primer-sealer and allowed to dry thoroughly before being inspected for uniformity of appearance. Variations in gloss and color differences in the case of tinted primers indicate choice . whole surface has been completely sealed. If not, an extra coat of primer-sealer should be applied. If only a few "suction spots" are apparent, an extra coat of these areas may be sufficient.

A flat, semi-gloss, or high-gloss finish may be put on the primed surface. For a flat finish, two coats of flat wall paint should follow the priming coat. For a semi-gloss finish, one coat of flat wall paint the other coat of semi-gloss paint should be put on the primed surface. For a high-gloss finish, one coat of semi-gloss paint the other coat of high-gloss enamel should be used in the priming coat.

Before applying water paints from the calcimine type to new plastered walls they should be sized, using sometimes a glue-water size or, in the event the plaster is dry, a thin varnish or primer-sealer.

Cold water paints from the casein type may be applied either straight to a plastered surface, or the surface may be first given a coat of primer-sealer to equalize uneven suction effects. The same is true of resin-emulsion paints, with all the recommendations from the manufacturer from the product being given preference in the event of doubt. Since resin-emulsion paints usually contain some oil in the binder, they ought to ordinarily be used and then plaster that has dried thoroughly.

Texture wall paints doubles on plaster surfaces. The advantages of such a paint are that certain coat economically creates a textured decoration and relieves the monotony of smooth flat paint. It also covers cracks or patches in the plaster more completely than ordinary wall paint. The disadvantages of texture wall paint are which they Collect dust and so are challenging to restore to some smooth finish. These materials can be purchased as water-or oil-based paints, are thicker than ordinary wall paints, and may be put on wallboard and also plaster to create textured effects such as random, Spanish, mission, and multicolored.

Composition Wallboard

Composition wallboard usually presents no particular painting difficulties in the event the ordinary precautions are observed, such as ensuring that the surface is dry and free of grease and oil. The painting technique of wallboard matches for plaster; it takes a priming and sealing coat followed by whatever finishes coats are desired, or may be given one-coat flat or resin-emulsion type paint.


Water-thinned paint may be put on wallpaper that's well- bonded towards the wall and contain dyes which can bleed in the paint. One thickness of wallpaper is preferable for paint application. Paints besides those from the water-thinned type can also be put on wallpaper using the directions given for painting plaster. However, wallpaper coated by using these a paint is challenging to remove without injury towards the plaster.

Wood Walls and Trim

New interior walls and wood trim should be smoothed with sand-paper and dusted before painting or varnishing. To preserve the grain from the wood, the top may be rubbed with linseed oil, varnished or shellacked, and waxed. If an opaque finish is desired, semi-gloss paint thinned with 1 pint of turpen-tine per gallon of paint or the primer-sealer previously described for walls may be used being a priming coat on wood. One or two coats of semi-gloss paint should then be used in the thoroughly dry prime coat, or if a full-gloss finish is desired, the final coat should be a high-gloss enamel.

Masonry Walls and Ceilings

Interior masonry walls and ceilings above grade may, generally speaking, be painted in quite similar manner as plaster surfaces. Here again, it's important allowing adequate time for your masonry to dry before applying paint and, moreover, attention should be given towards the preparation from the surface. When decorating a wall containing Portland cement (concrete, as an example), it is very important take precautions contrary to the attack of alkali. For this purpose, alkali-resistant primers such as rubber-base paints may be used when oil paints will be to follow.

Cement-water paints are best designed for application to basement walls which are damp being a result of leakage or condensation. To apply these paints, exactly the same procedure should be followed as they are described in charge of painting exterior masonry walls.

Concrete Floors

Two general types of paints for concrete floors are varnish and rubber-base paint. Each has its limitations along with the finish is not patched with no patched area showing through. Floor and deck enamel from the varnish type gives good service on concrete floors above grade its keep isn't moisture present.

Rubber-base paints, which dry to some hard semi-gloss finish, may be used on concrete floors below grade, providing the floor isn't continually damp from seepage and condensation.

Paint really should not be put on a concrete basement floor before the concrete has aged for around annually. The floor should be dry when painted, a good time for application being during the winter or springtime (assuming there's some heating apparatus in the basement), if the humidity in the basement is low. In general, three coats of paint are required on an unpainted floor, along with the first coat should be thin to secure good penetration. After the paint is dry, it should be protected having a coat of floor wax.

Adding Glitter To Wall Paint

In repainting concrete floors, the location where the existing paint has been waxed and is also in good shape apart from some worn areas, the top should be scrubbed with cloths saturated with turpentine or petroleum spirits and rubbed with steel wool while wet, to eliminate all wax before repainting. If this isn't done, the paint will not likely adhere and dry satisfactorily, in the event the old paint is badly worn, it should be removed by treating having a solution of 2 lbs. of caustic soda (household lye) to a single gallon of trouble. This may be mopped around the surface and allowed to remain for thirty minutes and the bottom may be washed with trouble and scraped having a wide steel scraper. Another method of application is to spread a thin layer of sawdust, which has been soaked in caustic solution in the floor and allow it to stand overnight. The following morning, the bottom may be washed with trouble along with the paint scraped off Adding Glitter To Wall Paint. The surface should then be rinsed thoroughly with clean water.

If rubber-base paint has been used, the caustic soda treatment is probably not effective also it may be necessary to make use of an organic solvent type of paint remover.

Caution: - When using caustic soda or lye, avoid splashing eyes, skin, and clothing.

Interior Metal

Interior metal, such as heating grilles, radiators, and exposed water pipes, should be painted in order to avoid rust and also to make them as inconspicuous as you possibly can. New metal should be cleaned of grease and dirt by washing with mineral spirits, and then any rust should be removed by sanding, and a metal primer should be applied. The finish coat may be sometimes a flat wall paint or possibly a semi-gloss enamel.

If you aren't sure from the primer to work with on metal, the paint dealer or manufacturer gives you this info, dependent around the type of metal to be painted Adding Glitter To Wall Paint.
Usually on exposed air ducts of galvanized metal a primer coat of zinc dust-zinc oxide paint is employed, prior to the finish coat is applied.
The paints may be applied by brush or spray; the little spray attachment for vacuums is very convenient, particularly for painting radiators.

Brass lights and andirons may be polished and kept bright by coating with metal lacquers. The lacquers, kept in cans under pressure, may be sprayed from the container. Old-fashioned or unattractive lights may be painted with ceiling or wall paint to harmonize with all the surrounding surfaces.

Special Surfaces


Whitewashes and lime paints must be thin when applied. In fact, best results will likely be obtained in the event the application is so thin that the surface this agreement it is applied may be seen through the film while it is wet. The coating will dry opaque, but two thin Coats will give better results than one thick coat.

A large whitewash brush is right for applying the wash Adding Glitter To Wall Paint. One should not try to brush out the coating, as with applying oil paint, but simply spread the whitewash on as evenly and quickly as you possibly can.

The principal ingredient in whitewash is lime paste. A satisfactory paste may be made with hydrated lime, but better results are obtained by making use of quicklime paste that has been slaked with sufficient water to really make it moderately stiff. The lime paste should be held in a loosely covered container for around a few days. Eight gallons of stiff lime paste may be made by slaking 25 lbs. of quicklime in 10 gallons of water, or by soaking 50 lbs. of hydrated lime in 6 gallons of water. After soaking, the paste should be strained through a fine screen to eliminate lumps or foreign matter.

Whitewash may be made from various combinations of lime paste along with other ingredients. The following two formulas are satisfactory.

The casein, which can serve as the glue binder, should be soaked into two gallons of trouble until thoroughly softened, which should be approximately a couple of hours. After dissolving the trisodium phosphate in 1 gallon of water it should be added towards the casein, stirring the mixture before the casein dissolves. This solution should be mixed with all the lime paste and 3 gallons of water.

The salt and alum should be dis-solved in 4 gallons of trouble, and the molasses may be added towards the mixture. The resulting clear option is then added towards the lime paste, stirred vigorously, and thinned with water towards the desired consistency. This whitewash has a yellow tinge when first applied, but the color disappears in some days leaving a white film.

Another satisfactory whitewash may be made by diluting a moderately heavy cold lime paste (about 33 lbs. of hydrated lime and 8 gallons of water) with 5 gallons of skim-milk.

The area protected by a gallon of whitewash is dependent upon the nature from the surface, but ordinarily a gallon will handle about 225 sq. ft. on wood, about 180 sq. ft. on brick, resulting in 270 sq. ft. on plaster. The formulas mentioned could make from 10 to 14 gallons of whitewash. If a smaller quantity is desired, the quantity of each ingredient should be reduced proportionately.


Whether you would like the consequence of stippling (tiny paint dots) being a decorative effect, or if you've got a wall that has an uneven surface and you are feeling you can hide the defect by stippling it, you could possibly achieve this result very simply.

For stippling you'll need a special brush; get one that's flat, and possesses short, stiff bristles.

The starting point is to cover the top having a coat of paint, utilizing your regular paint brush, or spray, or roller. Then, while the top remains to be wet, go ahead and take dry stipple brush and energetically with short strokes drive the ends or the bristles in the wet paint. Be sure not to brush across. The result will likely be clusters of dots. Every matter of minutes wipe the brush having a cloth, to keep the bristle ends clean and dry.


You may wish designs around the walls, or maybe even on floors and ceilings, in certain from the rooms or hallway. You may buy or help make your own stencils, which should be on heavy paper, stencil board, plastic, or metal. Avoid stencils manufactured from lightweight paper that may get soaked when touched by wet paint. Your paint dealer will suggest the most effective paint for you to work with, because it will be based on quite a lot around the surface over which you wish to squeeze stenciled designs. Generally a whopping paint is employed, so it will not likely spread within the stencil when you are using it.

The stencil must be held very firmly against the top with one hand, along with the stencil brush worked over it quickly with all the other hand Adding Glitter To Wall Paint. Or, when you have an assistant, it is best for one person to keep the stencil steady, as the other does the painting. In treatment of stencil, ensure you pick it up without smudging.

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